The Maison de l’Amérique Latine (MAL) celebrated its 80th anniversary this Thursday against a backdrop of uncertainty: the Bank of France has put up for sale the two 18th-century mansions that have housed the institution since 1965, with a valuation of 100 million euros.

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The 6,791-square-meter property consists of the hôtels particuliers of Varengeville and Amelot de Gournay, located on Boulevard Saint-Germain in the heart of Paris. The bidding process could be concluded before the end of 2026, and the future buyer will be under no obligation to maintain the MAL’s cultural activities at the site.

According to reports from French media, potential interested parties include businessman Xavier Niel and Bernard Arnault, owner of the LVMH group.

A Call from Latin America

La Maison de l’Amérique latine ne doit pas disparaître ! – Signez la pétition ! https://t.co/dbyIjq5dOI via @ChangeFrance

— Stéphanie LAVIGNE (@lunedemoins) October 11, 2026

Several Latin American embassies in France have launched a public petition to ensure that the Latin America House does not cease its operations. The diplomatic missions emphasized that the institution is particularly vital for smaller embassies, which lack the resources to organize exhibitions or cultural events in a city with such high real estate costs.

Mexico’s Ambassador to France, Blanca Jiménez Cisneros, and Panama’s representative, Joanna Villarreal, attended the event commemorating the MAL’s 80th anniversary.

The petition has garnered over 25,000 signatures, including those of former Chilean President Michelle Bachelet and former French Prime Ministers Dominique de Villepin, Bernard Cazeneuve, and Jean-Marc Ayrault.

“It would be a tragedy for the institution to disappear in the very year we mark our 80th anniversary. We will fight until the end,” stated the institution’s president, Jean-Marc Laforêt. Cultural and Diplomatic Space

Founded in 1946 on the initiative of then-French President Charles de Gaulle, the House of Latin America (in spanish Casa de América Latina) was established in recognition of the support provided by Latin America and the Caribbean to Free France during the Second World War.

For eight decades, the institution has served as a meeting point between France and the region, hosting exhibitions, conferences, and cultural activities. Among the notable figures it has welcomed are former Bolivian President Evo Morales and Commander Hugo Chávez.

Former French ambassador Alain Rouquié, the long-standing president of the House of Latin America (in spanish Casa de América Latina), has championed the entity’s autonomous and independent nature. He noted that while the institution receives public funding from the Ministry of Foreign Affairs, its primary source of revenue comes from renting out the rooms within its historic mansions.

“We have sought to remain free, and that has required significant effort,” stated Rouquié, who considers it essential to remain in the current premises and maintain the model of renting out space to ensure the institution’s continuity.

Rouquié reported that the Bank of France has been attempting for 23 years to evict the institution from the premises it has occupied since 1965. He recalled that in 2003, the then-president Jacques Chirac intervened to halt a sale, requesting that Foreign Minister Dominique de Villepin stop the transaction.

Latin American art specialist Christine Frérot compared the situation of the MAL (Latin American House) to that of the Arab World Institute, which receives greater support from public funds. According to 2025 data from the Ministry of Foreign Affairs, the Latin American House receives an annual subsidy of 25,000 euros.

Former French-Argentine deputy Paula Forteza, founder of the collective Artivistas, linked the defense of the institution to the international political climate. “As the far-right grows globally, spaces like this become especially important,” she stated.

Bolivian visual artist Kenia Almaraz Murillo also voiced her support for the continued existence of this cultural space, joining Frérot and other prominent figures from the artistic and diplomatic spheres.

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