Bloomsday as Everyday - MR Online
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If Marx in Capital lays bare the “hidden” abode of capitalist production, Joyce, in Ulysses, lays bare the hidden (yet all-too-visible) abode of modern reproduction, the arena that’s both the starting and end point of progressive politics, decreeing its victory or defeat.

A black and white photo of two men in suits standing next to a carriage. A Gothic church is visible in the background.

If Marx in Capital lays bare the “hidden” abode of capitalist production, Joyce, in Ulysses, lays bare the hidden (yet all-too-visible) abode of modern reproduction, the arena that’s both the starting and end point of progressive politics, decreeing its victory or defeat.

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