Pro wrestling, for all its mass appeal, cultural influence, and undeniable profitability, is still dismissed as low-brow fare for the lumpen masses; another guilty pleasure to be shelved next to soap operas and true crime dreck. This elitist dismissal rests on a cartoonish assumption that wrestling fans are rubes, incapable of recognizing the staged spectacle in front of them. In reality, fans understand perfectly well that the fights are preordained. What bothers critics is that working-class audiences knowingly embrace a form of theater more honest than the “serious” news they consume.

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